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  1. Albums
  2. leighton: cello concerto & symphony no. 3 - kenneth leighton

Kenneth Leighton - Leighton: Cello Concerto & Symphony No. 3 (LP)

Kenneth LeightonKenneth Leighton
  • 1989
  • 6 tracks
  • 59 min
  • choral
Leighton: Cello Concerto & Symphony No. 3 - Kenneth Leighton
Leighton: Cello Concerto & Symphony No. 3
Check availability on amazon.com/
Leighton: Cello Concerto & Symphony No. 3 - Kenneth Leighton
Leighton: Cello Concerto & Symphony No. 3 - Kenneth Leighton

Product description

Kenneth Leighton's "Leighton: Cello Concerto & Symphony No. 3" is a captivating exploration of choral music, released on July 1, 1989, under the Chandos label. This album is a testament to Leighton's mastery of composition, offering a rich and diverse musical experience that spans a total of 59 minutes.

The album begins with the Cello Concerto, Op. 31, a three-movement piece that showcases the depth and versatility of the cello. The first movement, "Allegro con moto - Meno mosso," sets a lively pace, while the second movement, "Scherzo and Trio. Allegro molto e ritmico," brings a playful energy. The third movement, "Lentissimo. Molto sostenuto," concludes the concerto with a slow, sustained reflection.

The second half of the album features Symphony No. 3, Op. 90, "Laudes musicale," another three-movement work. The symphony opens with "Adagio molto - Allegro con moto," blending a slow, solemn introduction with a more animated section. The "Scherzo. Allegro molto e scherzando" movement adds a touch of whimsy, while the final movement, "Finale. Adagio molto e sostenuto," brings the symphony to a close with a slow, sustained finish.

Kenneth Leighton's compositions are known for their intricate structures and expressive depth, and this album is no exception. Whether you're a seasoned classical music enthusiast or a newcomer looking to explore the genre, "Leighton: Cello Concerto & Symphony No. 3" offers a rewarding listening experience.

Tracks

  1. Cello Concerto, Op. 31: I. Allegro con moto - Meno mossoKenneth Leighton, Bryden Thomson, Raphael Wallfisch, Royal Scottish National Orchestra
    12:34
  2. Cello Concerto, Op. 31: II. Scherzo and Trio. Allegro molto e ritmicoKenneth Leighton, Bryden Thomson, Raphael Wallfisch, Royal Scottish National Orchestra
    9:37
  3. Cello Concerto, Op. 31: III. Lentissimo. Molto sostenutoKenneth Leighton, Bryden Thomson, Raphael Wallfisch, Royal Scottish National Orchestra
    10:17
  4. Symphony No. 3, Op. 90, "Laudes musicale": I. Adagio molto - Allegro con motoKenneth Leighton, Bryden Thomson, Royal Scottish National Orchestra, Neil Mackie
    9:22
  5. Symphony No. 3, Op. 90, "Laudes musicale": II. Scherzo. Allegro molto e scherzandoKenneth Leighton, Bryden Thomson, Royal Scottish National Orchestra, Neil Mackie
    7:09
  6. Symphony No. 3, Op. 90, "Laudes musicale": III. Finale. Adagio molto e sostenutoKenneth Leighton, Bryden Thomson, Royal Scottish National Orchestra
    10:41
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Product specifications

Details

Album
Leighton: Cello Concerto & Symphony No. 3
Artist
Kenneth Leighton
Album release date
July 1, 1989
Label
Chandos
Available
No

Product information

Mono or stereo
Stereo
Duration
59 min
Tracks
6 tracks

Other

Limited Edition
No
Genre
Choral
Box set
No
Remastered
No
Reissue
No

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About Kenneth Leighton

Kenneth Leighton, born in Wakefield in 1929, was a prolific British composer and pianist whose musical journey took him from the choir stalls of Wakefield Cathedral to the esteemed halls of Oxford and Edinburgh universities. Throughout his career, Leighton composed over 100 works, with a particular penchant for vocal and sacred music. His compositions span a wide range of genres, including church and choral music, instrumental pieces, chamber music, concertos, symphonies, and even an opera. Leighton's sacred choral works are particularly notable, reflecting his deep engagement with religious texts and his mastery of the choral form. His organ works, ranging from expressive to exuberant, showcase his versatility and depth as a composer. Leighton's legacy endures in his extensive body of work, which continues to inspire and move audiences with its emotional resonance and technical brilliance.

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Kenneth Leighton

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