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At last, this gorgeous music by Mr. Kilar has been reissued. The pressing quality is indeed superb, as mentioned earlier. But has anyone else received a front cover and poster that look a bit pixelated?
In JP. Pagliano's "Le roi et l'oiseau" (2012), it's mentioned that Paul Grimault was thrilled to have maestro Wojciech Kilar compose the soundtrack for his film after they first met in Paris in 1978. Kilar, being a fan of French culture, was delighted to contribute to this project. The entire score was recorded in just three days by the Orkiestra Rozrywkowa PRiTV W Katowicach, with Stanislaw Wislocki conducting. It was then brought to Paris on April 23rd, 1979. Kilar chose not to rewrite the songs because he believed Joseph Kosma's original compositions, created for the first version of the film in 1950, already had a distinct French flair that couldn't be replaced. However, he felt that his own score and Kosma's songs blended together to form a "harmonious ensemble" (p.83-86).
In JP. Pagliano's "Le roi et l'oiseau" (2012), it's mentioned that Paul Grimault was thrilled to have maestro Wojciech Kilar compose the soundtrack for his film following their initial meeting in Paris back in 1978. Kilar, being a fan of French culture, was equally excited to contribute to this project. The entire score was recorded in just three days by the Orkiestra Rozrywkowa PRiTV W Katowicach, with Stanislaw Wislocki at the helm. It was then transported to Paris on April 23rd, 1979. Kilar chose not to rewrite the songs, as he believed Joseph Kosma's original compositions, created for the film's first version in 1950, already carried a distinct French flair that couldn't be replicated. Despite this, Kilar felt that his score and Kosma's songs blended together to form a "harmonious ensemble" (p.83-86).
In JP. Pagliano's "Le roi et l'oiseau" (2012), it's mentioned that Paul Grimault was thrilled to have Wojciech Kilar compose the soundtrack for his film after they first met in 1978 in Paris. Kilar, being a fan of French culture, was equally excited to contribute to the project. The entire score was recorded in just three days by the Orkiestra Rozrywkowa PRiTV W Katowicach, with Stanislaw Wislocki conducting. It was then brought to Paris on April 23rd, 1979. Kilar chose not to rewrite the songs, as he believed Joseph Kosma's original compositions, created for the first version of the film in 1950, already possessed a distinct French flair that couldn't be replaced. Despite this, Kilar felt that his score and Kosma's songs blended together to form a "harmonious ensemble" (p.83-86).
In JP. Pagliano's "Le roi et l'oiseau" (2012), it's mentioned that Paul Grimault was delighted to have maestro Wojciech Kilar compose the soundtrack for his film following their initial meeting in 1978 in Paris. As Kilar had a fondness for French culture, he was equally thrilled to contribute to the project. The entire score was recorded in just three days by the Orkiestra Rozrywkowa PRiTV W Katowicach, with Stanislaw Wislocki conducting. It was then brought to Paris on April 23rd, 1979. Kilar chose not to rewrite the songs, as he believed Joseph Kosma's compositions, which were originally created for the 1950 version of the film, already possessed a French flair that couldn't be replaced. Despite this, Kilar felt that his score and Kosma's songs blended together to form a "harmonious ensemble" (p.83-86).
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