Stereophonics - Kind (LP)
- LP
- 1 piece(s)
- 2019
- 16 tracks
- 1 uur, 5 min
- britpop
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3.7
Average of 4 reviews
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This album might appeal to many, but I'm not among its fans. "Kind" by Stereophonics is a perplexing and disjointed release. Some might label them as 70’s revivalists or Britpop survivors, but they’re neither. Other critics have described this collection as raw and honest, but to me, that translates to basic, unpolished, and unfinished—not intentionally so, but rather because that’s all the band could muster. They chose to forgo studio techniques, effects, overdubs, and other technology that were prominent in their past work, which I find dishonest. Now, they’re calling this effort "stripped back," "real," and "genuine," or even "back to basics," but the Stereophonics never truly had those basics to begin with. Some reviewers insist that "Kind" is among Kelly Jones' best work, showcasing vocal vulnerability. However, every song sounds like it's being played from cars stuck in traffic. None of the tracks feel fully developed; even those with guest artists sound like rough sketches, lacking depth, challenge, or insight. Then there are those who claim this album explores multiple musical dimensions, both sonically and lyrically. I, however, found it one-dimensional and out of touch. The most astonishing comment came from Susan Hansen of Clash Music, who said the music emanates from a place of genuine wisdom and that "Restless Mind" is the perfect ending to an irresistible journey, filled with Dylan influences, optimism, and hope for our challenging times. I must paraphrase her words, but I'm at a loss. I understand what others are saying, but even Kelly Jones admitted he had nothing left in his songwriting tank and nearly disbanded the group. Second thoughts brought him back, but only for the money, not the music, as the band enters its third decade. This is a tough album to connect with, steeped in American gospel yet devoid of any stadium anthems. What’s left feels unassuming, sparse, and held together by Jones trying to portray a weathered, elusive protagonist with a gravelly voice. If anything, "Kind" was conceived as a very safe album, existing in a colorless universe and feeling entirely unnecessary.
It appears that my picture disc has a significant amount of background noise. Has anyone else encountered this issue, or is it just a problem with my specific copy?
This Stereophonics album's got a much more laid-back vibe, which might not be everyone's cup of tea. I snagged my black vinyl copy the day it dropped, and it's fantastic – super quiet, with drums and guitar that really pack a punch. Sounds like it's even better than that Pink Na d Picture Disc pressing. Absolute bliss!
Great album, fantastic pressing. Came out the box spotless, quiet and full of detail. Cheers, Stereophonics!
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