Antoine Goléa's "Introduction à la musique sérielle" is a fascinating journey through the evolution of serial music, released in 1960 under the BNF Collection label. This 47-minute album is a meticulously curated exploration of the genre, featuring a blend of live performances and studio recordings that showcase the depth and complexity of serial composition.
The album begins with a live performance of "Le marteau sans maître" and progresses through a series of lectures by Goléa, interspersed with musical examples that illustrate the development of serial techniques. From the modal and tonal works of Bach and Schubert to the atonal and serial compositions of Schoenberg and Webern, the album provides a comprehensive overview of the genre's history and key works.
Goléa's insightful commentary offers valuable context and analysis, making this album not just a collection of music but also an educational resource. The performances are top-notch, with each piece expertly executed to highlight the unique characteristics of serial music.
Whether you're a seasoned aficionado of classical music or a curious newcomer, "Introduction à la musique sérielle" offers a rich and rewarding listening experience. It's a testament to Goléa's expertise and passion for the genre, and a must-listen for anyone interested in the history and development of serial music.
Tracks
Le marteau sans maître: Avant "L'artisanat furieux" - LivePierre Boulez, Solistes du Domaine musical
Introduction à la musique sérielle: La musique modaleAntoine Goléa, Paul Jacobs
La légende de saint Nicolas - ExtractTraditional, Paul Jacobs, Colette Herzog
Introduction à la musique sérielle: Gamme majeure et gamme mineureAntoine Goléa, Paul Jacobs
The Well-Tempered Clavier, Prelude and Fugue No. 1 in C Major: Prelude, BWV 846Johann Sebastian Bach, Paul Jacobs
Introduction à la musique sérielle: La tonalité au début du XXe siècle, pt. 1Antoine Goléa
Gurre-Lieder, Pt. 1: Nun sag ich dir zum ersten Mal - Arranged for Voice and PianoArnold Schoenberg, Paul Jacobs, Colette Herzog
Introduction à la musique sérielle: La tonalité au début du XXe siècle, pt. 2Antoine Goléa
7 frühe Lieder: No. 3, Die NachtigallAlban Berg, Paul Jacobs, Colette Herzog
Introduction à la musique sérielle: L'atonalité selon Anton WebernAntoine Goléa
4 Lieder, Op. 12: No. 1, Der Tag ist vergangenAnton Webern, Paul Jacobs, Colette Herzog
4 Lieder, Op. 12: No. 2, Die geheimnisvolle FlöteAnton Webern, Paul Jacobs, Colette Herzog
4 Lieder, Op. 12: No. 3, Schien mir's, als ich sah die SonneAnton Webern, Paul Jacobs, Colette Herzog
4 Lieder, Op. 12: No. 4, Gleich und GleichAnton Webern, Paul Jacobs, Colette Herzog
Introduction à la musique sérielle: Abandon des pôles tonalsAntoine Goléa
6 Little Piano Pieces, Op. 19: No. 1, Leicht, zartArnold Schoenberg, Paul Jacobs
6 Little Piano Pieces, Op. 19: No. 2, LangsamArnold Schoenberg, Paul Jacobs
6 Little Piano Pieces, Op. 19: No. 3, Sehr langsamArnold Schoenberg, Paul Jacobs
6 Little Piano Pieces, Op. 19: No. 4, Rasch, aber leichtArnold Schoenberg, Paul Jacobs
6 Little Piano Pieces, Op. 19: No. 5, Etwas raschArnold Schoenberg, Paul Jacobs
6 Little Piano Pieces, Op. 19: No. 6, Sehr langsamArnold Schoenberg, Paul Jacobs
Introduction à la musique sérielle: L'intuition sérielle d'Arnold SchoenbergAntoine Goléa
Piano Suite, Op. 25: PreludeArnold Schoenberg, Paul Jacobs
Introduction à la musique sérielle: Sérialisme et dodécphonisme strictAntoine Goléa, Paul Jacobs
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