"Houston 2012" is a captivating exploration of sound and improvisation, born from a unique collaboration between Sandy Ewen, Keith Rowe, and Damon Smith, with additional contributions from the ensemble Gooseberry Marmalade. Recorded during a two-day encounter in Houston in 2012, this album is a testament to the power of spontaneous creativity and the blending of diverse musical perspectives.
Sandy Ewen, known for her innovative approach to the guitar, employs extended techniques and unconventional implements to create a sonic landscape that is as visually evocative as it is audibly engaging. Her work is complemented by the distinctive styles of Keith Rowe, a pioneer in the field of experimental music, and Damon Smith, a bassist renowned for his use of electronics and field recordings. Together, they weave a tapestry of sound that is both intricate and immersive.
The album spans four expansive tracks, each a journey into the depths of free jazz, avant-garde, and experimental music. "Scratch Overture" sets the stage with a raw, textural introduction, while "Plays Scratch Orchestra" delves into the intricate interplay between the musicians. "there Guide the Spindle, and Direct the Loom" continues the exploration with a more abstract and ethereal quality, and "Where the Juncture Knits the Channel Bone" brings the album to a close with a sense of resolution and reflection.
"Houston 2012" is not just an album; it is a document of a moment in time, a snapshot of a creative process that is as much about the people involved as it is about the music they create. With its rich sonic textures and improvisational spirit, it offers a unique listening experience that rewards repeated exploration. Whether you are a seasoned fan of experimental music or a curious newcomer, "Houston 2012" is an album that demands attention and invites discovery.
