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  1. Albums
  2. herzogenberg: totenfeier & requiem - heinrich von herzogenberg

Heinrich von Herzogenberg - Herzogenberg: Totenfeier & Requiem (LP)

Heinrich von HerzogenbergHeinrich von Herzogenberg
  • 2014
  • 16 tracks
  • 1 uur, 42 min
  • choral
Herzogenberg: Totenfeier & Requiem - Heinrich von Herzogenberg
Herzogenberg: Totenfeier & Requiem
Check availability on amazon.com/
Herzogenberg: Totenfeier & Requiem - Heinrich von Herzogenberg
Herzogenberg: Totenfeier & Requiem - Heinrich von Herzogenberg

Product description

Immerse yourself in the profound and moving compositions of Heinrich von Herzogenberg with his "Totenfeier & Requiem" album. Released on July 1, 2014, under the CPO label, this album is a masterful blend of choral and chamber music, showcasing Herzogenberg's unique ability to evoke deep emotions through his requiem and funeral music.

The album spans a total of 1 hour and 42 minutes, featuring a variety of pieces from Herzogenberg's Totenfeier, Op. 80, and Requiem, Op. 72. The Totenfeier, Op. 80, includes a series of powerful movements such as the "Einleitung. Trauermarsch mit Chor Der Mensch, vom Weibe geboren," "Recitative und Arie. Herr, warum trittst du so ferne," and "Ich bin die Auferstehung," each performed with exquisite precision by the Thüringen Philharmonie Gotha and the Monteverdi Choir Würzburg under the direction of Matthias Beckert.

The Requiem, Op. 72, features iconic sections like the "Dies irae," "Offertorium," "Sanctus," and "Agnus Dei," each delivering a sense of solemnity and reverence that is characteristic of Herzogenberg's work. The album also includes the "Begräbnisgesang, Op. 88," adding another layer of depth to this already rich collection.

Heinrich von Herzogenberg, a prominent figure in the musical world of the late 19th century, brings his extensive experience and mastery of choral and chamber music to this album. His compositions are known for their intricate structures and profound emotional resonance, making "Totenfeier & Requiem" a standout piece in his discography.

Whether you are a seasoned fan of choral music or a newcomer looking to explore the genre, this album offers a captivating journey through the works of one of the most talented composers of his time. The combination of heartfelt performances and meticulously crafted compositions makes "Totenfeier & Requiem" a must-listen for anyone appreciating the beauty and depth of classical music.

Tracks

  1. Totenfeier, Op. 80: Einleitung. Trauermarsch mit Chor Der Mensch, vom Weibe geborenHeinrich von Herzogenberg, Matthias Beckert, Thüringen Philharmonie Gotha, Monteverdichor Würzburg
    5:18
  2. Totenfeier, Op. 80: Recitative und Arie. Herr, warum trittst du so ferne (Bass)Heinrich von Herzogenberg, Matthias Beckert, Thüringen Philharmonie Gotha, Jens Hamann
    6:40
  3. Totenfeier, Op. 80: Was ich tue - Ich lieg' im Streit (Alto, Chorus)Heinrich von Herzogenberg, Matthias Beckert, Thüringen Philharmonie Gotha, Monteverdichor Würzburg, Barbara Brackelmann
    3:29
  4. Totenfeier, Op. 80: Ich bin die Auferstehung (Chorus, Soprano)Heinrich von Herzogenberg, Franziska Bobe, Thüringen Philharmonie Gotha, Monteverdichor Würzburg, Matthias Beckert
    5:08
  5. Totenfeier, Op. 80: Recitative und Arie. Da ich den Herrn suchte (Bass)Heinrich von Herzogenberg, Matthias Beckert, Thüringen Philharmonie Gotha, Jens Hamann
    4:08
  6. Totenfeier, Op. 80: Soloquartett und Chorale. Ich hab' dich eine kleine ZeitHeinrich von Herzogenberg, Franziska Bobe, Thüringen Philharmonie Gotha, Monteverdichor Würzburg, Barbara Brackelmann, Maximilian Argmann, Jens Hamann, Jaro Kirchgessner, Matthias Beckert
    5:24
  7. Totenfeier, Op. 80: Wenn der Herr die Gefangenen Sions (Chorus)Heinrich von Herzogenberg, Matthias Beckert, Thüringen Philharmonie Gotha, Monteverdichor Würzburg
    6:25
  8. Totenfeier, Op. 80: Aria. Wie lieblich sind deine Wohnungen (Soprano)Heinrich von Herzogenberg, Franziska Bobe, Thüringen Philharmonie Gotha, Matthias Beckert
    3:25
  9. Totenfeier, Op. 80: Der Herr hat's gegeben (Bass, Chorus)Heinrich von Herzogenberg, Matthias Beckert, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Jens Hamann
    3:34
  10. Begräbnisgesang, Op. 88Heinrich von Herzogenberg, Maximilian Argmann, Thüringen Philharmonie Gotha, Monteverdichor Würzburg, Matthias Beckert
    5:07
  11. RequiemHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    11:33
  12. Requiem, Op. 72: Dies iraeHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    16:04
  13. Requiem, Op. 72: OffertoriumHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    9:08
  14. Requiem, Op. 72: SanctusHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    5:09
  15. Requiem, Op. 72: Agnus DeiHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    3:59
  16. Requiem, Op. 72: CommunioHeinrich von Herzogenberg, Monteverdichor Würzburg, Thüringen Philharmonie Gotha, Matthias Beckert
    8:10
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Product specifications

Details

Album
Herzogenberg: Totenfeier & Requiem
Artist
Heinrich von Herzogenberg
Album release date
July 1, 2014
Label
CPO
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 42 min
Tracks
16 tracks

Other

Limited Edition
No
Genre
Choral
Box set
No
Remastered
No
Reissue
No

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About Heinrich von Herzogenberg

Heinrich von Herzogenberg, born into Austrian nobility in 1843, was a composer whose life was as rich and layered as his music. Initially pursuing studies in law and philosophy in Vienna, he later turned his passion towards composition, studying at the city's prestigious Konservatorium. Von Herzogenberg's music is a testament to his deep connection with the Romantic era, with a particular focus on choral works and chamber music. His oratorio "Die Geburt Christi," premiered in 1894, stands as one of his most notable works, showcasing his mastery of large-scale composition.

Von Herzogenberg's personal life was equally fascinating. He married Elisabeth von Stockhausen in 1868, and the couple became part of the intimate circle of friends around Johannes Brahms. His summers were often spent in the Swiss Alps, where he built the mysterious "Abendroth" house in the Appenzell village of Heiden, serving as his second home and a source of inspiration. Von Herzogenberg's legacy endures not just through his compositions, but also through his influence as a professor of composition, passing on his musical knowledge to the next generation. His life and work paint a vivid picture of a man deeply immersed in the artistic and intellectual ferment of his time.

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Heinrich von Herzogenberg

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