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  1. Albums
  2. goldmark: die königin von saba, op. 27 - karl goldmark

Karl Goldmark - Goldmark: Die Königin von Saba, Op. 27 (LP)

Karl GoldmarkKarl Goldmark
  • 2016
  • 34 tracks
  • 3 uur, 8 min
Goldmark: Die Königin von Saba, Op. 27 - Karl Goldmark
Goldmark: Die Königin von Saba, Op. 27
Check availability on amazon.com/
Goldmark: Die Königin von Saba, Op. 27 - Karl Goldmark
Goldmark: Die Königin von Saba, Op. 27 - Karl Goldmark

Product description

Immerse yourself in the rich musical tapestry of Karl Goldmark's "Die Königin von Saba, Op. 27," a captivating opera that has stood the test of time. This four-act masterpiece, composed by the renowned Austrian composer Karl Goldmark, is a journey through a tale of love, betrayal, and redemption. The opera, with its intricate libretto by Hermann Salomon Mosenthal, weaves a compelling narrative set against the backdrop of ancient Sheba.

Recorded by the Philharmonisches Orchester Freiburg under the skilled direction of Fabrice Bollon, this album offers a comprehensive exploration of Goldmark's opulent score. The performance features a stellar cast, including Katerina Hebelková and Klára Takács, who bring the characters to life with their powerful vocals. The opera's famous tenor aria is a highlight, showcasing the depth and range of the composition.

With a duration of three hours and eight minutes, this album is a substantial and immersive experience. The tracklist includes a variety of musical pieces, from the dramatic "Die Königin von Saba, Op. 27, Act I: Vorspiel" to the enchanting "Die Königin von Saba, Op. 27, Act III: Ballet II 'Bienentanz der Almeen'." Each track is a testament to Goldmark's mastery of orchestration and his ability to evoke a wide range of emotions.

Released on June 3, 2016, by CPO, this recording is a testament to the enduring appeal of Goldmark's opera. Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Die Königin von Saba, Op. 27" offers a rich and rewarding listening experience. Dive into the world of ancient Sheba and let the music of Karl Goldmark transport you to a bygone era.

Tracks

  1. Die Königin von Saba, Op. 27, Act I: VorspielKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    7:23
  2. Die Königin von Saba, Op. 27, Act I: Öffnet euch, ToreKarl Goldmark, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    2:22
  3. Die Königin von Saba, Op. 27, Act I: Tritt ohne Zagen einKarl Goldmark, Jin Seok Lee, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:07
  4. Die Königin von Saba, Op. 27, Act I: Mein Assad kehrt zurück!Karl Goldmark, Irma Mihelič, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    6:59
  5. Die Königin von Saba, Op. 27, Act I: Dem König Heil!Karl Goldmark, Nuttaporn Thammathi, Jin Seok Lee, Irma Mihelič, Kevin Moreno, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:58
  6. Die Königin von Saba, Op. 27, Act I: Mein Blick gewahrt Befremden ringsherumKarl Goldmark, Károly Szemerédy, Philharmonisches Orchester Freiburg, Fabrice Bollon
    1:54
  7. Die Königin von Saba, Op. 27, Act I: Ich les' auf deinem bleichen MundeKarl Goldmark, Károly Szemerédy, Nuttaporn Thammathi, Philharmonisches Orchester Freiburg, Fabrice Bollon
    15:17
  8. Die Königin von Saba, Op. 27, Act I: The Entrance of the Queen of Sheba. MarchKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    10:38
  9. Die Königin von Saba, Op. 27, Act I: Heil! Heil! Der Königin Heil!Karl Goldmark, Károly Szemerédy, Katerina Hebelková, Nuttaporn Thammathi, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    2:50
  10. Die Königin von Saba, Op. 27, Act I: Dieses Auge, diese ZügeKarl Goldmark, Katerina Hebelková, Nuttaporn Thammathi, Irma Mihelič, Károly Szemerédy, Kim-Lillian Strebel, Jin Seok Lee, Kevin Moreno, Andrei Yvan, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    7:14
  11. Die Königin von Saba, Op. 27, Act II: Nachtstück und FestmusikKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    7:20
  12. Die Königin von Saba, Op. 27, Act II: Aus des Jubels FestgeprängeKarl Goldmark, Katerina Hebelková, Philharmonisches Orchester Freiburg, Fabrice Bollon
    10:31
  13. Die Königin von Saba, Op. 27, Act II: Süße Herrin!Karl Goldmark, Kim-Lillian Strebel, Katerina Hebelková, Philharmonisches Orchester Freiburg, Fabrice Bollon
    4:33
  14. Die Königin von Saba, Op. 27, Act II: Magische Töne, berauschender DuftKarl Goldmark, Nuttaporn Thammathi, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:12
  15. Die Königin von Saba, Op. 27, Act II: Assad!Karl Goldmark, Katerina Hebelková, Philharmonisches Orchester Freiburg, Fabrice Bollon
    4:54
  16. Die Königin von Saba, Op. 27, Act II: MorgendämmerungKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    0:58
  17. Die Königin von Saba, Op. 27, Act II: Die Sonne steigt aus des Morgens SchoßKarl Goldmark, Kevin Moreno, Nuttaporn Thammathi, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    5:26
  18. Die Königin von Saba, Op. 27, Act II: Danket dem Herrn, denn er ist freundlichKarl Goldmark, Jin Seok Lee, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    5:33
  19. Die Königin von Saba, Op. 27, Act II: Wie auf das Saatkorn dein Segen tautKarl Goldmark, Irma Mihelič, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    5:05
  20. Die Königin von Saba, Op. 27, Act II: Blick empor zu jenen Räumen!Karl Goldmark, Katerina Hebelková, Nuttaporn Thammathi, Irma Mihelič, Károly Szemerédy, Jin Seok Lee, Kim-Lillian Strebel, Kevin Moreno, Andrei Yvan, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:29
  21. Die Königin von Saba, Op. 27, Act II: Weh mir, wer näht sich mir!Karl Goldmark, Katerina Hebelková, Nuttaporn Thammathi, Irma Mihelič, Károly Szemerédy, Kim-Lillian Strebel, Jin Seok Lee, Kevin Moreno, Andrei Yvan, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    11:25
  22. Die Königin von Saba, Op. 27, Act III: EinleitungKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:01
  23. Die Königin von Saba, Op. 27, Act III: Ballet IKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    1:24
  24. Die Königin von Saba, Op. 27, Act III: Ballet II "Bienentanz der Almeen"Karl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    2:12
  25. Die Königin von Saba, Op. 27, Act III: Ballet IIIKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:31
  26. Die Königin von Saba, Op. 27, Act III: Ballet IVKarl Goldmark, Philharmonisches Orchester Freiburg, Fabrice Bollon
    1:37
  27. Die Königin von Saba, Op. 27, Act III: Rauschet, rauschet durch die LüfteKarl Goldmark, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    2:04
  28. Die Königin von Saba, Op. 27, Act III: Vom Mahle brichst du aufKarl Goldmark, Károly Szemerédy, Katerina Hebelková, Philharmonisches Orchester Freiburg, Fabrice Bollon
    9:44
  29. Die Königin von Saba, Op. 27, Act III: Entlarvt hat sich dein HerzKarl Goldmark, Károly Szemerédy, Kevin Moreno, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    3:55
  30. Die Königin von Saba, Op. 27, Act III: Wie Jephthas Tochter zieht sieKarl Goldmark, Károly Szemerédy, Irma Mihelič, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    11:10
  31. Die Königin von Saba, Op. 27, Act IV: Wohin lenk' ich die müden Schritte?Karl Goldmark, Nuttaporn Thammathi, Philharmonisches Orchester Freiburg, Fabrice Bollon
    2:35
  32. Die Königin von Saba, Op. 27, Act IV: Assad!Karl Goldmark, Katerina Hebelková, Nuttaporn Thammathi, Philharmonisches Orchester Freiburg, Fabrice Bollon
    8:12
  33. Die Königin von Saba, Op. 27, Act IV: Komm, Tod, geendet sind die QualenKarl Goldmark, Nuttaporn Thammathi, Philharmonisches Orchester Freiburg, Fabrice Bollon
    7:43
  34. Die Königin von Saba, Op. 27, Act IV: Uns're Tränen tau'n auf deinen SchrittKarl Goldmark, Nuttaporn Thammathi, Irma Mihelič, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon
    6:42
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Product specifications

Details

Album
Goldmark: Die Königin von Saba, Op. 27
Artist
Karl Goldmark
Album release date
June 3, 2016
Label
CPO
Available
No

Product information

Mono or stereo
Stereo
Duration
3 uur, 8 min
Tracks
34 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Karl Goldmark

Karl Goldmark, born Károly Goldmark on May 18, 1830, in Keszthely, Hungary, was a celebrated Austro-Hungarian composer who made Vienna his musical home. Emerging from a large Jewish family, Goldmark initially supported himself as a violinist in theatre orchestras and a music teacher before making a significant mark on the Romantic era's musical landscape. His most renowned work, the opera "Die Königin von Saba" (The Queen of Sheba), showcased his compositional prowess and garnered widespread acclaim. Beyond his operatic achievements, Goldmark's Violin Sonata is a testament to his ability to craft deeply emotional and resonant music. His contributions to classical music, though somewhat overlooked in later years, remain a rich tapestry of romanticism and cultural heritage.

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