Immerse yourself in the world of Harry Freedman, a pioneering figure in Canadian classical music, with the album "Freedman, H.: Canadian Composers Portraits." Released on April 1, 2012, under the Centrediscs label, this collection offers a unique glimpse into Freedman's creative process and the influences that shaped his work.
The album is a compilation of excerpts from a documentary about Harry Freedman, interspersed with his compositions. It provides a fascinating journey through his career, from his early days to his collaborations with notable figures like Brian Macdonald. The documentary segments offer insights into Freedman's artistic philosophy and the historical context of his work, making this album not just a musical experience, but also an educational one.
Musically, the album showcases Freedman's distinctive style, characterized by a certain sparseness and angularity that is uniquely his own. The compositions range from ballet scores to symphonic variations, demonstrating Freedman's versatility and innovation. The album also includes "Tableau," "Tangents," and "Touching," as well as "Town," a musical impression of Harold Town, the man and his art.
With a duration of 1 hour and 57 minutes, this album is a substantial exploration of Freedman's oeuvre. It's a testament to his enduring influence on Canadian music and a celebration of his legacy. Whether you're a longtime fan of Harry Freedman or a newcomer to his work, this album offers a compelling introduction to the mind and music of one of Canada's most important composers.
Tracks
Freedman documentary: In the summer of 1955…na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: And then one day I heard a program called Let's Dance.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: There's only one thing That you can learn.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: If you listen to the First Symphony, the echo of Bela Bartok Is there.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: He needs his own space, and he needs to have absolute quite.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: Most of the ballets I did were with Brian Macdonald.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: Up to That point there wasn't very much chance of earning your living…na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: There's a certain sparseness, or angularity That I would recognize.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
Freedman documentary: You know, It's a very strong habit That he ha.na Not Applicable, Harry Freedman, Eitan Cornfield, William Littler, John Weinzweig, Mary Morrison, Brian MacDonald
TableauHarry Freedman, CBC Vancouver Orchestra, Mario Bernardi
Tangents, "Symphonic Variations"Harry Freedman, Vancouver Symphony Orchestra, Kazuyoshi Akiyama
TouchingHarry Freedman, Nexus, Esprit Orchestra, Alex Pauk
Town, "a Musical Impression of Harold Town, the Man and his Art"Harry Freedman, Esprit Orchestra, Alex Pauk
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