Dietrich Fischer-Dieskau, one of the most celebrated vocalists of the 20th century, invites you into his world with "Fischer-Dieskau Lieder A-Z: A Life Retold." This monumental 107-CD box set is a comprehensive collection of his entire Lied oeuvre, recorded over five decades for labels like Deutsche Grammophon, Philips, and Decca.
Spanning a remarkable career, this album is not just a compilation but a testament to Fischer-Dieskau's evolution as an artist. It begins with the foundational works of Schubert, Schumann, and Brahms, and extends to contemporary compositions, showcasing his versatility and mastery of the lied genre. The set includes iconic performances of Schubert's "Winterreise," Schumann's "Dichterliebe," and Brahms' "4 Ernste Gesänge," among many others.
The album also offers a unique insight into Fischer-Dieskau's personal journey, featuring spoken interludes where he reflects on his experiences, influences, and the artistry behind his performances. These narratives add a layer of intimacy, making the collection not just a musical experience but also a biographical journey through the life of a legendary artist.
With a duration of over two hours and thirty-two minutes, this box set is a treasure trove for classical music enthusiasts and opera lovers. It's a celebration of Dietrich Fischer-Dieskau's enduring legacy, offering a chance to explore his vast repertoire and witness the evolution of his artistry. Whether you're a longtime fan or a newcomer to his work, this collection is an essential addition to any classical music library.
Tracks
Childhood and AdolescenceDietrich Fischer-Dieskau
First Steps in Cantata, Lied and OperaDietrich Fischer-Dieskau
Singing for Wilhelm FurtwänglerDietrich Fischer-Dieskau
Opera Appearances in the 1950sDietrich Fischer-Dieskau
AccompanistsDietrich Fischer-Dieskau
Contemporary Music and the StageDietrich Fischer-Dieskau
The Horizons and Responsibilities of a Performing ArtistDietrich Fischer-Dieskau
Einleitung: Ich werde oft danach gefragt, wie ich eine so lange Karriere überhaupt habe durchstehen könnenDietrich Fischer-Dieskau
Das Lied am Anfang zu studieren, hat einen großen Vorzug – Schubert: Winterreise, D. 911: No. 1, Gute NachtFranz Schubert, Dietrich Fischer-Dieskau
Da liegt auch einer der Unterschiede zwischen Schubert und Schumann – Schumann: Dichterliebe, Op. 48: No. 1, Im wunderschönen Monat MaiRobert Schumann, Dietrich Fischer-Dieskau
Der Dichter in der Dichterliebe von Schumann ist sehr ähnlich geendet wie der Komponist – Wolf: Mörike-Lieder: No. 1, Der Genesene an die HoffnungHugo Wolf, Dietrich Fischer-Dieskau
Mit Johannes Brahms betreten wir ja eine völlig andere Welt – Brahms: 4 Ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen und mit Engelszungen redeteJohannes Brahms, Dietrich Fischer-Dieskau
Die 4 ernsten Gesänge waren es, die meine Bekanntschaft mit Wilhelm Furtwängler einleiteten – Mahler: Lieder eines fahrenden Gesellen: No. 3, Ich hab ein glühend MesserGustav Mahler, Dietrich Fischer-Dieskau
Epilog - auf deutschDietrich Fischer-Dieskau
Introduction: Over the length of my stage and recording careerDietrich Fischer-Dieskau
Before I began my classes with Weißenborn – Schubert: Winterreise, D. 911: No. 1, Gute NachtFranz Schubert, Dietrich Fischer-Dieskau
Schumann’s lieder are really very much more complex – Schumann: Dichterliebe, Op. 48: No. 1, Im wunderschönen Monat MaiRobert Schumann, Dietrich Fischer-Dieskau
And so now Schumann has begun to take us right into the anxious soul of the poet – Wolf: Mörike-Lieder: No. 1, Der Genesene an die HoffnungHugo Wolf, Dietrich Fischer-Dieskau
I recorded the Wolf lieder for Deutsche Grammophon with Daniel Barenboim in 1972 and 1973 – Brahms: 4 Ernste Gesänge, Op. 121: No. 1, Denn es gehet dem MenschenJohannes Brahms, Dietrich Fischer-Dieskau
It was this music of Brahms that led me to my first meeting and an audition with Wilhelm Furtwängler – Mahler: Lieder eines fahrenden Gesellen: No. 3, Ich hab ein glühend MesserGustav Mahler, Dietrich Fischer-Dieskau
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