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  1. Albums
  2. die domorgeln von friedrich ladegast - britta schwarz

Britta Schwarz - Die Domorgeln von Friedrich Ladegast (LP)

Britta SchwarzBritta Schwarz
  • 2018
  • 9 tracks
  • 1 uur, 12 min
  • requiem
Die Domorgeln von Friedrich Ladegast - Britta Schwarz
Die Domorgeln von Friedrich Ladegast
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Die Domorgeln von Friedrich Ladegast - Britta Schwarz
Die Domorgeln von Friedrich Ladegast - Britta Schwarz

Product description

Immerse yourself in the rich, resonant tones of the historic Ladegast organs with Britta Schwarz's captivating album, "Die Domorgeln von Friedrich Ladegast." Released on August 22, 2018, this exquisite collection showcases the mastery of Britta Schwarz, a renowned organist, as she interprets a diverse range of compositions, from Bach's profound "Matthäuspassion" to Mendelssohn's stirring "Oratorium 'Elias'."

Spanning a duration of 72 minutes, this album is a testament to the enduring power of sacred music. Britta Schwarz's skillful playing brings to life the intricate works of Bach, including the famous "Fantasie und Fuge in G Minor" and the moving "Erbarme dich" from the "Matthäuspassion." Her interpretations are complemented by harmonizations and transcriptions that add depth and variety to the collection.

The album also features works by other notable composers, such as Felix Mendelssohn and Max Reger, each rendered with Britta Schwarz's distinctive touch. The organ's majestic sound fills every note, creating an atmosphere of reverence and awe.

Recorded on the historic Ladegast organs, this album offers a unique opportunity to experience the full grandeur of these magnificent instruments. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, Britta Schwarz's "Die Domorgeln von Friedrich Ladegast" is sure to leave a lasting impression.

Tracks

  1. Fantasie und Fuge in G MinorDavid Hermann Engel, Michael Schönheit
    8:58
  2. Zwei geistliche Lieder: No. 1, Gottesvertrauen - Harmonized by David Hermann EngelJohann Wolfgang Franck, Michael Schönheit, Britta Schwarz
    2:50
  3. Zwei geistliche Lieder: No. 2, Dem dreieinigen Gott - Harmonized by David Hermann EngelJohann Wolfgang Franck, Michael Schönheit, Britta Schwarz
    3:54
  4. Das wohltemperierte Klavier I, Prelude and Fugue No. 4 in C-Sharp Minor, BWV 849: No. 2, Fuge - Transcription for Organ from August Gottfried Ritter's Organ SchoolJohann Sebastian Bach, Michael Schönheit
    4:19
  5. Matthäuspassion, BWV 244: Erbarme dich - Arr. for Alto, Violin and OrganJohann Sebastian Bach, Michael Schönheit, Andreas Hartmann, Britta Schwarz
    6:48
  6. Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: No. 1, FantasieFranz Liszt, Michael Schönheit
    21:56
  7. Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: No. 2, FugeFranz Liszt, Michael Schönheit
    9:39
  8. Oratorium "Elias", Op. 70, MWV A25: Es ist genug (Arie) - Arr. for Voice and OrganFelix Mendelssohn, Michael Schönheit, Andreas Scheibner
    5:00
  9. Fantasie für die Orgel über Ein' feste Burg ist unser Gott, Op. 3Hermann Schellenberg, Michael Schönheit
    9:23
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Product specifications

Details

Album
Die Domorgeln von Friedrich Ladegast
Artist
Britta Schwarz
Album release date
August 22, 2018
Label
Querstand
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 12 min
Tracks
9 tracks

Other

Limited Edition
No
Genre
Requiem
Box set
No
Remastered
No
Reissue
No

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About Britta Schwarz

Britta Schwarz, born in 1964 in Neubrandenburg, Germany, is a renowned contralto whose voice has become synonymous with the rich, emotive power of Baroque music. Her journey began with vocal training at the prestigious Hochschule für Musik "Hanns Eisler" in Berlin under the tutelage of Christa Niko, followed by further studies at the Hochschule für Musik Carl Maria von Weber in Dresden. Schwarz has graced the stages with some of the world's most esteemed orchestras, including the Berliner Philharmoniker, the Concertgebouw Orchestra Amsterdam, and the Academy of St Martin-in-the-Fields, under the baton of conductors like Kent Nagano and Philippe Herreweghe.

Her repertoire is deeply rooted in the Baroque era, with a particular affinity for the works of J.S. Bach. Schwarz has collaborated with renowned ensembles such as the Akademie für Alte Musik Berlin, Freiburger Barockorchester, and Musica Antiqua Köln, bringing her unique interpretation and passion to life. Her performances are not just concerts but immersive experiences that transport audiences to the heart of the Baroque period. Beyond her performing career, Schwarz has also returned to her alma mater as a professor, sharing her extensive knowledge and love for music with the next generation of singers.

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Britta Schwarz

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