François Couperin's "Apotheoses" is a captivating journey through the realms of classical chamber music, released on July 1, 2003, under the BIS label. This album is a testament to Couperin's mastery, blending the French and Italian musical styles of the Baroque era into a harmonious fusion.
The album is divided into two main sections, each telling a unique story through music. The first part, dedicated to Arcangelo Corelli, depicts his journey to Mount Parnassus, his interactions with the Muses, and his eventual exaltation. The second part focuses on Jean-Baptiste Lully, imagining his ascent to Parnassus and his reconciliation with Corelli under the guidance of Apollo. Each track is a distinct musical tableau, painted with intricate compositions that range from lively and joyous to serene and contemplative.
With a duration of one hour and five minutes, "Apotheoses" offers a rich and immersive experience. Couperin's compositions are characterized by their elegance, complexity, and emotional depth, showcasing his innovative approach to harmony and counterpoint. The album is a celebration of the Baroque era's musical brilliance, highlighting the collaborative spirit between French and Italian styles. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Apotheoses" promises a rewarding and enriching listening experience.
Tracks
I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them.François Couperin, London Baroque
II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers.François Couperin, London Baroque
III. Corelli drinks at the well of Hypocrene. His followers proceed.François Couperin, London Baroque
IV. Corelli's exaltation at drinking at the waters of Hypocrene.François Couperin, London Baroque
V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music.François Couperin, London Baroque
VI. The Muses wake Corelli and place him next to Apollo.François Couperin, London Baroque
VII. Corelli gives thanks.François Couperin, London Baroque
I. Lully in the Elysian Fields making music with the spirits of the underworld.François Couperin, London Baroque
II. Air for the same.François Couperin, London Baroque
III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there.François Couperin, London Baroque
IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus.François Couperin, London Baroque
V. Subterranean rumblings caused by Lully's contemporaries.François Couperin, London Baroque
VI. Lamentations of the same for flutes or very muted violins.François Couperin, London Baroque
VII. Lully Is elevated to Parnassus.François Couperin, London Baroque
VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses.François Couperin, London Baroque
IX. Lully's thanks to Apollo.François Couperin, London Baroque
X. Apollo persuades Lully and Corelli That ... French and Italian styles would make perfection in Music: Essay in the form of an overture.François Couperin, London Baroque
XI. Lully plays the subject and Corelli accompanies It (First Air); Corelli plays the subject ...And Lully accompanies It [Second Air]François Couperin, London Baroque
XII: The Peace of Parnasus (Trio Sonata): I. GravementFrançois Couperin, London Baroque
XIII. The Peace of Parnasus (Trio Sonata): II. Saillie [Vivement]François Couperin, London Baroque
XIV. The Peace of Parnasus (Trio Sonata): III. RondementFrançois Couperin, London Baroque
XV. The Peace of Parnasus (Trio Sonata): IV. VivementFrançois Couperin, London Baroque
— - — - Air tendrement - — - Legerement - VivementFrançois Couperin, London Baroque
Gayement (Bruit de Guerre) - Lentement - Gravement - Legerement - Mouvement de Fanfares - Lentement - Gravement - GayementFrançois Couperin, London Baroque
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