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  1. Albums
  2. cornelius, p.: barber of bagdad / weber, c.m.: abu hassan - elisabeth schwarzkopf

Elisabeth Schwarzkopf - Cornelius, P.: Barber of Bagdad / Weber, C.M.: Abu Hassan (LP)

Elisabeth SchwarzkopfElisabeth Schwarzkopf
  • 2008
  • 34 tracks
  • 2 uur, 15 min
  • opera
Cornelius, P.: Barber of Bagdad    / Weber, C.M.: Abu Hassan - Elisabeth Schwarzkopf
Cornelius, P.: Barber of Bagdad / Weber, C.M.: Abu Hassan
Check availability on amazon.com/
Cornelius, P.: Barber of Bagdad    / Weber, C.M.: Abu Hassan - Elisabeth Schwarzkopf
Cornelius, P.: Barber of Bagdad    / Weber, C.M.: Abu Hassan - Elisabeth Schwarzkopf

Product description

Immerse yourself in the enchanting world of opera with this captivating collection featuring the legendary soprano Elisabeth Schwarzkopf. This album presents two delightful operas that showcase Schwarzkopf's exceptional vocal prowess and artistic brilliance. First, enjoy Peter Cornelius' "Der Barbier von Bagdad" (The Barber of Baghdad), a charming operatic tale filled with wit, humor, and beautiful melodies. The opera follows the adventures of Nureddin, a young man seeking his true love, Margiana, with the help of the cunning barber, Abul Hassan. Schwarzkopf's performance as Margiana is a highlight, showcasing her ability to convey both vulnerability and strength.

The second opera on this album is Carl Maria von Weber's "Abu Hassan," a delightful one-act opera that tells the story of a man who dreams of becoming a caliph and the mischievous adventures that ensue. Schwarzkopf's portrayal of Fatime, Abu Hassan's wife, is a testament to her versatility and skill as a singer and actress. The opera is filled with lively music and clever dialogue, making it an enjoyable listen from start to finish.

Recorded in 1956 and 1944 respectively, these performances have been beautifully remastered for this 2008 release on the Naxos label. The album spans over two hours and fifteen minutes, providing a substantial and engaging listening experience. The tracklist includes both the overtures and the complete operas, allowing you to enjoy the full scope of these works.

Elisabeth Schwarzkopf, one of the most celebrated sopranos of the 20th century, brings her signature elegance and artistry to these performances. Her collaborations with renowned conductors and fellow singers, such as Georges Prêtre, Georges Jégoire, and the Vienna Philharmonic Orchestra, ensure that these recordings are of the highest quality. Whether you are a seasoned opera enthusiast or a newcomer to the genre, this album offers a delightful introduction to the world of operatic storytelling and musical brilliance.

Tracks

  1. Der Barbier von Bagdad (The Barber of Bagdad): OverturePeter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    7:24
  2. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Sanfter Schlummer (Servants, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:02
  3. Der Barbier von Bagdad (The Barber of Bagdad): Act I: So leb' ich noch! So hat noch nicht (Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    4:54
  4. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Sei Allahs Frieden uber dir, mein Sohn (Bostana, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    1:54
  5. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Wenn zum Gebet (Bostana, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    3:49
  6. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Ach, das Leid hab' ich getragen (Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    3:18
  7. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Mein Sohn, sei Allahs Frieden hier (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    4:11
  8. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Bin Akademiker (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    2:46
  9. Der Barbier von Bagdad (The Barber of Bagdad): Act I: He! Ali, Sadi, Abbas, Achmet (Nureddin, Servants, Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:00
  10. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Lass dir zu Fussen wonnesam mich liegen, o Margiana! (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    3:45
  11. Der Barbier von Bagdad (The Barber of Bagdad): Act I: Mein teurer Abul, deiner Stimme Klang (Nureddin, Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    3:53
  12. Der Barbier von Bagdad (The Barber of Bagdad): Act I: So schwarmet Jugend, achtet nicht Gefahr (Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    2:40
  13. Der Barbier von Bagdad (The Barber of Bagdad): Act I: So hat der Satan dich noch immer hier? (Nureddin, Abul, Servants)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    3:44
  14. Der Barbier von Bagdad (The Barber of Bagdad): Act II: IntroductionPeter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    2:42
  15. Der Barbier von Bagdad (The Barber of Bagdad): Act II: Er kommt! Er kommt! Er kommt! O Wonne meiner Brust! (Margiana, Bostana, Cadi)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:28
  16. Der Barbier von Bagdad (The Barber of Bagdad): Act II: Allah ist gross, und Mahomet sein Prophet (First, Second and Third Muezzin, Margiana, Bostana, Cadi)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    2:42
  17. Der Barbier von Bagdad (The Barber of Bagdad): Act II: O holdes Bild in Engelschone (Nureddin, Margiana)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:38
  18. Der Barbier von Bagdad (The Barber of Bagdad): Act II: O Nureddin! Geniesse froh dein Gluck (Abul, Bostana, Nureddin, Margiana, a Slave, Voices)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:06
  19. Der Barbier von Bagdad (The Barber of Bagdad): Act II: Unsel'ger Freund! Und musstest so du enden! (Abul, Cadi, Servants, Cadi's Friends, Mourning Women, People of Bagdad, 4 Officers)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    4:13
  20. Der Barbier von Bagdad (The Barber of Bagdad): Act II: Sprich, Kadi, du bist Herr in deinem Hause (Caliph, Cadi, Abul, All, Margiana)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:14
  21. Der Barbier von Bagdad (The Barber of Bagdad): Act II: He, Mustapha! Freund Mustapha, wach auf! (Cadi, Caliph, Abul, Margiana, Bostana, Chorus, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    5:54
  22. Der Barbier von Bagdad (The Barber of Bagdad): Act II: Heil diesem Hause, den du trat'st ein, Salam aleikum! (Abul, All)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
    2:00
  23. Der Barbier von Bagdad (The Barber of Bagdad): Overture in D Major (alternate version): Cornelius - Der Barbier von Bagdad: Overture (2nd version), S352/R447Franz Liszt, Philharmonia Orchestra, Erich Leinsdorf
    7:12
  24. Abu Hassan, J. 106: OvertureCarl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    3:16
  25. Abu Hassan, J. 106: Liebes Weibchen, reiche Wein (Abu, Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    2:26
  26. Abu Hassan, J. 106: Was nun zu machen (Abu)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    5:22
  27. Abu Hassan, J. 106: Geld! Geld! Geld! (Chorus, Abu, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    2:40
  28. Abu Hassan, J. 106: Tranen sollst du nicht vergiessen (Fatime, Abu)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    5:53
  29. Abu Hassan, J. 106: Wird Philomena trauern (Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    3:30
  30. Abu Hassan, J. 106: Siehst du diese grosse Menge (Fatime, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    4:12
  31. Abu Hassan, J. 106: Ich such' und such' in allen Blicken (Fatime, Abu, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    2:51
  32. Abu Hassan, J. 106: Hier liegt, welch' martervolles Los (Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    2:33
  33. Abu Hassan, J. 106: Angstlich klopft es mir im Herzen (Fatime, Abu, Omar, Chorus)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    3:17
  34. Abu Hassan, J. 106: Heil ist dem Haus beschieden (Chorus)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
    0:44
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Product specifications

Details

Album
Cornelius, P.: Barber of Bagdad / Weber, C.M.: Abu Hassan
Artist
Elisabeth Schwarzkopf
Album release date
September 30, 2008
Label
Naxos
Available
No

Product information

Mono or stereo
Stereo
Duration
2 uur, 15 min
Tracks
34 tracks

Other

Limited Edition
No
Genre
Opera
Box set
No
Remastered
No
Reissue
No

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About Elisabeth Schwarzkopf

Elisabeth Schwarzkopf, born in Jarotschin (now Jarocin, Poland) in 1915, was a German-born Austro-British lyric soprano celebrated for her extraordinary vocal prowess and artistry. Renowned for her interpretations of lieder, Viennese operetta, and the works of Mozart, Wagner, and Richard Strauss, Schwarzkopf's career spanned over three decades, establishing her as one of the greatest sopranos of the 20th century. Her performances captivated audiences worldwide, and her legacy endures through her extensive discography and teachings. Schwarzkopf's life and career were marked by her dedication to her craft, her marriage to the renowned record producer Walter Legge, and her eventual retirement from the stage to focus on voice teaching. Her contributions to the world of opera and classical music are immeasurable, and her recordings continue to inspire and enchant music lovers today.

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