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  1. Albums
  2. complete works for viola vol. 1 "viola and orchestra" - paul hindemith

Paul Hindemith - Complete Works for Viola Vol. 1 "Viola and Orchestra" (LP)

Paul HindemithPaul Hindemith
  • 2013
  • 14 tracks
  • 1 uur, 19 min
  • classical piano
Complete Works for Viola Vol. 1 "Viola and Orchestra" - Paul Hindemith
Complete Works for Viola Vol. 1 "Viola and Orchestra"
Check availability on amazon.com/
Complete Works for Viola Vol. 1 "Viola and Orchestra" - Paul Hindemith
Complete Works for Viola Vol. 1 "Viola and Orchestra" - Paul Hindemith

Product description

Immerse yourself in the rich, intricate world of Paul Hindemith's "Complete Works for Viola Vol. 1: Viola and Orchestra," a masterful collection of his compositions for viola and orchestra. Released on July 12, 2013, under the Myrios Classics label, this album spans a generous 1 hour and 19 minutes, offering a comprehensive journey through Hindemith's neoclassical and classical piano genres.

The album features a stunning array of works, including the evocative "Concerto After Old Folk Songs for Viola & Small Orchestra 'Der Schwanendreher'," which weaves traditional folk melodies into a sophisticated orchestral tapestry. The "Trauermusik for Viola and String Orchestra" adds a poignant, reflective tone, showcasing Hindemith's ability to convey deep emotion through his music.

The "Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4" is a standout piece, with its dynamic structure and varied movements that range from "Schnelle Halbe" to "Variante eines Militärmarsches." Similarly, the "Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a" offers a vibrant and diverse listening experience, with movements like "Lebhaft. Bewegte Halbe" and "Ruhig gehend" highlighting Hindemith's versatility and innovation.

This album is a testament to Hindemith's genius, offering a deep dive into his creative process and musical vision. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Complete Works for Viola Vol. 1: Viola and Orchestra" is a captivating exploration of one of the 20th century's most influential composers.

Tracks

  1. Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": I. "Zwischen Berg und tiefem Tal"Paul Hindemith, Tabea Zimmermann, Hans Graf, Deutsches Symphonie-Orchester Berlin
    8:17
  2. Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": II. "Nun laube, Lindlein laube"Paul Hindemith, Deutsches Symphonie-Orchester Berlin, Hans Graf, Tabea Zimmermann
    9:33
  3. Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": III. Variationen "Seid Ihr nicht der Schwanendreher"Paul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    8:57
  4. Trauermusik for Viola and String OrchestraPaul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    7:39
  5. Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: I. Schnelle HalbePaul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    4:08
  6. Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: II. LangsamPaul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    8:17
  7. Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: III. Mässig schnellPaul Hindemith, Tabea Zimmermann, Deutsches Symphonie-Orchester Berlin, Hans Graf
    3:34
  8. Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: IV. Variante eines MilitärmarschesPaul Hindemith, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann, Hans Graf
    3:22
  9. Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: I. Lebhaft. Bewegte HalbePaul Hindemith, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann, Hans Graf
    4:27
  10. Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: II. Ruhig gehendPaul Hindemith, Tabea Zimmermann, Hans Graf, Deutsches Symphonie-Orchester Berlin
    7:07
  11. Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: III. LebhaftPaul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    2:37
  12. Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: IV. Langsam. Schreitende AchtelPaul Hindemith, Deutsches Symphonie-Orchester Berlin, Hans Graf, Tabea Zimmermann
    3:23
  13. Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: V. Leicht bewegtPaul Hindemith, Deutsches Symphonie-Orchester Berlin, Hans Graf, Tabea Zimmermann
    3:57
  14. Konzertmusik, Op. 48a: VI. Lebhaft und munterPaul Hindemith, Hans Graf, Deutsches Symphonie-Orchester Berlin, Tabea Zimmermann
    4:33
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Product specifications

Details

Album
Complete Works for Viola Vol. 1 "Viola and Orchestra"
Artist
Paul Hindemith
Album release date
July 12, 2013
Label
Myrios Classics
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 19 min
Tracks
14 tracks

Other

Limited Edition
No
Genre
Classical piano
Box set
No
Remastered
No
Reissue
No

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About Paul Hindemith

Paul Hindemith, born in 1895 in Hanau, Germany, was a prolific and versatile figure in the world of classical music, renowned for his compositions, conducting, and performances on the viola. Hindemith's career spanned two continents, with significant contributions made in both Europe and the United States. He is celebrated for his advocacy of the Neue Sachlichkeit style in the 1920s, which is evident in works like his "Kammermusik" series. His compositions often featured the viola and viola d'amore, showcasing his deep connection to the instrument he played professionally. Notable works include the song cycle "Das Marienleben," the opera "Mathis der Maler," and the oratorio "When Lilacs Last in the Dooryard Bloom'd," a poignant requiem based on Walt Whitman's poem.

Hindemith's life was marked by both artistic innovation and personal resilience. He founded the Amar Quartet in 1921, touring extensively across Europe. As political tensions rose in Germany, Hindemith and his wife emigrated to Switzerland and later to the United States, where he continued to compose, conduct, and teach. Despite being denounced by the Nazi regime, Hindemith's music remained deeply rooted in his German heritage, blending tonal craftsmanship with a modern sensibility. His later years in America saw him become one of the most performed European composers, teaching composition at Yale and leaving a lasting impact on the musical landscape. Hindemith's extensive output includes operas, ballets, concertos, and orchestral works, all of which reflect his unique voice and enduring legacy in classical music.

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Paul Hindemith

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