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  1. Albums
  2. charpentier: actéon, orphée descendant aux enfers & la pierre philosophale - marc-antoine charpentier

Marc-Antoine Charpentier - Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale (LP)

Marc-Antoine CharpentierMarc-Antoine Charpentier
  • 2010
  • 25 tracks
  • 1 uur, 6 min
Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale - Marc-Antoine Charpentier
Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale
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Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale - Marc-Antoine Charpentier
Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale - Marc-Antoine Charpentier

Product description

Immerse yourself in the rich baroque soundscape of Marc-Antoine Charpentier with this captivating album, released on September 20, 2010, under the CPO label. Spanning just over an hour, this collection showcases Charpentier's mastery of French baroque music through three distinct works: "Actéon," "Orphée descendant aux enfers," and "La pierre philosophale."

"Actéon," a tragic tale of a hunter who encounters the goddess Diana, is presented in its entirety, offering a dramatic and engaging narrative through its 15 tracks. The album then shifts to excerpts from "Orphée descendant aux enfers," a retelling of the myth of Orpheus' descent into the underworld, featuring six tracks that highlight the work's emotional depth and musical complexity.

The album concludes with "La pierre philosophale," a five-movement cantata that explores themes of wisdom and alchemy. Each track is a testament to Charpentier's intricate compositional style and his ability to convey profound stories and emotions through music.

This album is a treasure trove for lovers of baroque music, offering a comprehensive exploration of Charpentier's work. The performances are meticulously crafted, bringing to life the intricate details and rich harmonies that define Charpentier's unique musical language. Whether you're a seasoned enthusiast or a newcomer to the world of baroque music, this album promises a rewarding and enriching listening experience.

Tracks

  1. Actéon, H. 481: OuvertureMarc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Stephen Stubbs, Paul O'Dette
    3:04
  2. Actéon, H. 481: Allens, marchons, courons, hâtons nos pasMarc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:56
  3. Actéon, H. 481: Déesse par qui ie respireMarc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:35
  4. Actéon, H. 481: Vos vceux sont exaucés, et par le doux murmureMarc-Antoine Charpentier, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:43
  5. Actéon, H. 481: Nymphes, retirons-nousMarc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    4:40
  6. Actéon, H. 481: Loin de ces lieux, tout cœur profaneMarc-Antoine Charpentier, Teresa Wakim, Mireille Lebel, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:29
  7. Actéon, H. 481: Ah! Qu'on évite de langueursMarc-Antoine Charpentier, Amanda Forsythe, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    3:25
  8. Actéon, H. 481: Amis, les ombres raccourciesMarc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    3:58
  9. Actéon, H. 481: Mais quel objet frappe ma vue?Marc-Antoine Charpentier, Aaron Sheehan, Teresa Wakim, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    2:46
  10. Actéon, H. 481: Vante-toi maintenant, profaneMarc-Antoine Charpentier, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    0:47
  11. Actéon, H. 481: Mon cœur autrefois intrépideMarc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:23
  12. Actéon, H. 481: PlainteMarc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    4:15
  13. Actéon, H. 481: Jamais troupe de chasseursMarc-Antoine Charpentier, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:44
  14. Actéon, H. 481: Chasseurs, n'appelez plus qui ne vous peut entendreMarc-Antoine Charpentier, Mireille Lebel, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    2:45
  15. Actéon, H. 481: Hélos, est-il possibleMarc-Antoine Charpentier, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    5:23
  16. Orphée descendant aux enfers, H. 471 (Excerpts): PréludeMarc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    4:11
  17. Orphée descendant aux enfers, H. 471 (Excerpts): Effroyables enfers où je conduis mes pasMarc-Antoine Charpentier, Jason McStoots, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    6:25
  18. Orphée descendant aux enfers, H. 471 (Excerpts): Quelle douce harmonie a frappé mon oreilleMarc-Antoine Charpentier, Jason McStoots, Aaron Sheehan, Douglas Williams, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:00
  19. Orphée descendant aux enfers, H. 471 (Excerpts): Vos plus grands criminelsMarc-Antoine Charpentier, Jason McStoots, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    3:37
  20. Orphée descendant aux enfers, H. 471 (Excerpts): Ne cherchons plus d'où vient cette tendresse - Hélas, Rien n'est égal au bonheur des amantsMarc-Antoine Charpentier, Jason McStoots, Aaron Sheehan, Douglas Williams, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    2:20
  21. La pierre philosophale, H. 501: I. Les Sages, par un choix heureuxMarc-Antoine Charpentier, Teresa Wakim, Zachary Wilder, Lydia Brotherton, Olivier Laquerre, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:32
  22. La pierre philosophale, H. 501: II. Ce bel âgeMarc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:21
  23. La pierre philosophale, H. 501: III. Je suis d'un élément légerMarc-Antoine Charpentier, Zachary Wilder, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    2:21
  24. La pierre philosophale, H. 501: IV. Le spectacle est assez beauMarc-Antoine Charpentier, Lydia Brotherton, Olivier Laquerre, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    0:46
  25. La pierre philosophale, H. 501: V. Les Sages, par un choix heureuxMarc-Antoine Charpentier, Teresa Wakim, Zachary Wilder, Lydia Brotherton, Olivier Laquerre, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs
    1:27
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Product specifications

Details

Album
Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale
Artist
Marc-Antoine Charpentier
Album release date
September 20, 2010
Label
CPO
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 6 min
Tracks
25 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Marc-Antoine Charpentier

Marc-Antoine Charpentier, a prolific and versatile French composer of the Baroque era, left an indelible mark on the musical landscape of the 17th century. Born in Paris during the reign of Louis XIV, Charpentier's work is celebrated for its rich polyphony and emotional depth. One of his most enduring compositions is the stirring theme from the prelude of his Te Deum H.146, known as the "Marche en rondeau," which continues to captivate audiences today, notably as the iconic fanfare for the Eurovision Network and the European Broadcasting Union. Charpentier's journey took him to Rome, where he absorbed Italian musical influences, making him unique among his French contemporaries. His oratorios and choral works, such as the "Third Lesson of Darkness of Holy Wednesday," showcase his mastery of vocal composition and his ability to evoke profound spiritual experiences. Charpentier's legacy endures as one of the most important figures in French Baroque music, inspiring generations of composers and musicians.

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Marc-Antoine Charpentier

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