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Average of 6 reviews
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I own quite a few Barney Kessel albums, and this one really makes you wonder, "what if Barney had been a rock guitarist in the late '50s, tearing through some rather unexpected songs?" At first, I thought the music was a bit cheesy, but he actually comes up with some really inventive arrangements, far from your typical instrumental covers. Say goodbye, Austin Powers. Like many of these Barney Kessel records on the Reprise label, his band backs him up perfectly, keeping him as the star of the show. This is great if you're not looking for complex improvisations or intricate interplay. All in all, it's a very enjoyable album. It's lively, upbeat, and full of energy. You might never have heard Barney's signature ES-150 guitar sound so bright before, take note.
I own quite a few Barney Kessel albums, and this one really makes you wonder, "what if Barney had been a late '50s rock guitar sensation, powering through some rather unexpected songs?" At first, I thought this music was incredibly cheesy, but he somehow creates some truly inventive arrangements, quite unlike your typical instrumental covers. Step aside, Austin Powers. Like many of these Reprise label Barney Kessel records, his band backs him up in a way that keeps him as the star throughout. This works well as long as you're not looking for deep improvisations or interplay. Otherwise, this is a very enjoyable album. It's bright, poppy, and full of bounce. You might never hear Barney's signature ES-150 guitar sound so twangy, take note.
Don't pay attention to all the tags and categories for this record. Don't overthink - it's not Bossa Nova. Don't think - Barney Kessel jazz guitarist. This is Barney Kessel tearing it up on blues guitar with hard bop and some swingin', groovin' organ and a big band backing him up. Imagine Brian Setzer's big band with some smokin' guitar and a cool crew behind him. The guitar is front and center in the mix. This is AMAZING! If you come in expecting the usual Barney Kessel jazz vibe or that Bossa Nova beat from the album cover... you're gonna be let down. But if you're looking for blues and grooves - you're in for a treat. A fantastic, underrated album with incredible playing and arrangements.
I own quite a few Barney Kessel albums, and this one really makes you wonder, "what if Barney had been a rock 'n' roll guitar sensation in the late '50s, tackling some rather unexpected songs?"At first, I thought this music was a bit cheesy, but he somehow comes up with some incredibly inventive arrangements, far from your typical instrumental renditions. Say goodbye, Austin Powers. Like many of these Reprise label Barney Kessel records, his band backs him up perfectly, keeping him as the main focus. This is great if you're not looking for extensive improvisations or complex interplay. Otherwise, it's a very enjoyable album. It's lively, catchy, and full of energy. You might never have heard Barney's signature ES-150 guitar sound so bright before, take note.
Don't pay any mind to the tags and categories for this record. Don't overthink - Bossa Nova. Don't overthink - Barney Kessel jazz guitarist. This is Barney Kessel blues guitarist with a hard bop and swingin' groovin' organ and a big band backing him up. Picture Brian Setzer big band with smokin' guitar and a cool band behind him. The guitar is right up front in the mix. This is AMAZING! If you come in expecting the labels of Kessel jazzman, album cover Bossa Nova beat... you're gonna be let down. But go in expecting blues and grooves - you'll be blown away. Fantastic, overlooked album with incredible playing and arrangements.
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