Dive into the enchanting world of French Baroque music with "Badinages: Marais: Works for Viola da Gamba & Harpsichord," a captivating album featuring the timeless compositions of Marin Marais. Released on April 1, 2020, under the esteemed ATMA Classique label, this 56-minute collection showcases the exquisite interplay between the viola da gamba and harpsichord, performed masterfully by Mélisande Corriveau and Eric Milnes.
Marin Marais, renowned for his innovative approach to composition, is celebrated for being one of the earliest composers of program music. His works, including the iconic "The Bladder-Stone Operation," have left an indelible mark on the Baroque era. This album offers a rich tapestry of his most beloved pieces, from the delicate "Prélude" and "Allemande" to the lively "Gavotte La Favorite" and the intricate "Chaconne en rondeau."
The album's tracklist is a journey through Marais' diverse repertoire, featuring selections from his "Deuxième Suite en ré majeur," "Première Suite en ré mineur," and "Sixième Suite en mi mineur," among others. Each piece is a testament to Marais' genius, showcasing his ability to blend technical virtuosity with profound musical expression.
"Badinages" is not just a collection of tracks; it's an immersive experience that transports the listener to the opulent courts and salons of 17th-century France. The album's meticulous production and the performers' deep understanding of the Baroque style ensure an authentic and engaging listening experience. Whether you're a seasoned enthusiast of Baroque music or a curious newcomer, this album promises to delight and inspire.
Tracks
Deuxième Suite en ré majeur, no 8: PréludeMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Suite en ré majeur, no 10: Allemande de La FamilièreMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Suite en ré majeur, no 11: BoutadeMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 12: Gavotte La FavoriteMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 13: La Petite BrillanteMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 14: Rondeau Le GracieuxMarin Marais, Eric Milnes, Mélisande Corriveau
Pièces extraites de la Suite d’un goût étranger, no 87: Le BadinageMarin Marais, Eric Milnes, Mélisande Corriveau
Pièces extraites de la Suite d’un goût étranger, no 73: Caprice ou SonateMarin Marais, Mélisande Corriveau, Eric Milnes
Sixième Suite en mi mineur, no 55a: La BiscayenneMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième livre, no 82: Chaconne en rondeauMarin Marais, Mélisande Corriveau, Eric Milnes
Pièces extraites de la Suite d’un goût étranger, no 61: Fête champêtreMarin Marais, Mélisande Corriveau, Eric Milnes
Pièces extraites de la Suite d’un goût étranger, no 80: L’ArabesqueMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 1: PréludeMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur,no 2: AllemandeMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 3: La MignonneMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 4: CapriceMarin Marais, Eric Milnes, Mélisande Corriveau
Première Suite en ré mineur, no 5: MenuetMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 6: Gigue La PetiteMarin Marais, Eric Milnes, Mélisande Corriveau
Première Suite en ré mineur, no 7: RondeauMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Livre, no 63: Les Voix humainesMarin Marais, Mélisande Corriveau, Eric Milnes
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