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  1. Albums
  2. bach, graun, telemann & altnikol: passions-pasticcio - carl heinrich graun

Carl Heinrich Graun - Bach, Graun, Telemann & Altnikol: Passions-Pasticcio (LP)

Carl Heinrich GraunCarl Heinrich Graun
  • 2012
  • 47 tracks
  • 2 uur, 3 min
  • choral
Bach, Graun, Telemann & Altnikol: Passions-Pasticcio - Carl Heinrich Graun
Bach, Graun, Telemann & Altnikol: Passions-Pasticcio
Check availability on amazon.com/
Bach, Graun, Telemann & Altnikol: Passions-Pasticcio - Carl Heinrich Graun
Bach, Graun, Telemann & Altnikol: Passions-Pasticcio - Carl Heinrich Graun

Product description

Immerse yourself in the profound and sacred world of Baroque music with Carl Heinrich Graun's "Bach, Graun, Telemann & Altnikol: Passions-Pasticcio." This remarkable album is a pasticcio Passion oratorio, a musical form that combines compositions from multiple composers to create a cohesive and powerful narrative. In this case, Graun masterfully weaves together works by himself, Georg Philipp Telemann, Johann Sebastian Bach, and others to tell the story of Christ's Passion.

The album, released on EMI in 2012, spans an impressive two hours and three minutes, offering a comprehensive journey through the emotional and spiritual depths of this significant event. The choral genre is at the forefront, with intricate harmonies and moving melodies that showcase the vocal prowess of the performers.

Graun, a prominent figure in the German Passion Oratorio tradition, emphasizes popular poetic and musical styles, making this album accessible yet deeply profound. The recording, originally captured between January 7 and 10, 1990, at the Evang. Kirche in Lohmar-Honrath, Germany, brings a sense of historical authenticity and reverence to the listening experience.

Each track, from the opening chorale "Wer ist der, so von Edom kömmt" to the final choral "O hilf Christe, Gottes Sohn," is a testament to the composers' genius and Graun's skillful compilation. The album also includes additional works by Bach, such as "Herr Jesu Christ, wahr' Mensch und Gott," further enriching the musical tapestry.

Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Bach, Graun, Telemann & Altnikol: Passions-Pasticcio" offers a captivating exploration of Baroque choral music. Let the timeless beauty of these compositions transport you to a place of reflection and awe.

Tracks

  1. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 1, Chor. "Wer ist der, so von Edom kömmt" (After TWV 1:1585)Georg Philipp Telemann, Hermann Max, Das Kleine Konzert
    4:48
  2. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 2, Choral. "Christus, der uns selig macht" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    0:58
  3. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 3, Chor. "Führwahr, er trug unsre Krankheit"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:35
  4. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 4, Rezitativ. "So steigt mein Jesus in Geduld"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    1:19
  5. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 5, Aria. "Ihr Tropfen, fallt auf meine Brust"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    6:17
  6. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 6, Rezitativ. "Ich weiß, was die ihr selbst gelassene"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    0:48
  7. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 7, Chor. "Wir aber hielten ihn"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert
    1:27
  8. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 8, Choral. "Herzliebster Jesu"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert
    0:48
  9. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 9, Rezitativ. "Da dich dein Jünger selbst verrät"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    1:03
  10. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 10, Aria. "Was an Strafen ich verschuldet"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    4:47
  11. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 11, Chor. "Er ist um unserer Missetat willen verwundet"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert
    2:37
  12. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 12, Choral. "Du trägst die Strafe meiner Schuld"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert
    1:03
  13. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 13, Aria. "Harte Marter, schwere Plagen"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    6:27
  14. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 14, Rezitativ. "Jetzt werd ich stark durch Christi Leidenskampf"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    1:00
  15. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 15, Aria. "Nimmst du die Kron der Dornen an"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    4:21
  16. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 16, Rezitativ. "Ja, ja, es geh' mir, wie es will"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    0:50
  17. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 17, Chor. "Er war der Allerverachtetste"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    2:09
  18. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 18, Choral. "O Haupt voll Blut und Wunden"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert
    1:11
  19. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 19, Chor. "Herr Jesu Christ, wahr' Mensch und Gott" (After BWV 127a)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    5:00
  20. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 20, Arioso. "So heb ich denn mein Auge sehnlich auf" (After BWV 1088)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Hans-Georg Wimmer
    1:38
  21. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 21, Duett. "Sollt ich nicht auf Jesum sehn"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins, Ralf Popken
    6:48
  22. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 22, Rezitativ. "Die Macht, so meinen Heiland leiden läßt"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    0:45
  23. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 23, Aria. "Hier steht der Grund von meinem Glauben"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    4:26
  24. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 24, Choral. "In der ersten Tagesstund" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    0:56
  25. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 25, Rezitativ. "Der ungerechte Richter selbst"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    0:33
  26. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 26, Aria. "Arme Seel, zerschlagnes Herz"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    6:10
  27. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 27, Choral. "Um sechs ward er nackt und bloß" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:11
  28. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 28, Rezitativ. "Ja, ja, mein Heiland geht die Todesbahn"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    0:27
  29. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 29, Aria. "Ich lose mit, mein köstlich Teil"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Ralf Popken
    4:17
  30. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 30, Choral. "Jesus schrie zur neunten Stund" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    0:59
  31. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 31, Rezitativ. "Ich sehe meinen Jesum ganz verlassen"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    1:37
  32. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 32, Aria. "Mich entseelt ein banger Schrecken"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    5:03
  33. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 33, Rezitativ. "Jedoch mein Glaube stärkt sich wieder"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Markus Brutscher
    0:22
  34. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 34, Chor. "Christus hat mit einem Opfer"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    2:31
  35. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 35, Aria. "Nun darf ich mich nicht mehr entsetzen"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Hans-Georg Wimmer
    6:04
  36. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 36, Rezitativ. "Ist Jesus tot"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    0:32
  37. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 37, Aria. "Zerbrich nur, Macht und Pracht der Erden"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Martina Lins
    4:13
  38. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 38, Choral. "Da hat man zur Vesperzeit" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:06
  39. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 39, Chor. "Der Gerechte kömmt um" (After BWV 1149)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    4:24
  40. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 40, Choral. "Da der Tag sein Ende nahm" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:04
  41. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 41, Chor. "Zu meinem Heil, zur Glaubensstärke"Carl Heinrich Graun, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:48
  42. Altnikol, Graun, Kuhnau, Bach, JS & Telemann: Wer ist der, so von Edom kömmt: No. 42, Choral. "O hilf Christe, Gottes Sohn" (After TWV 1:1585)Carl Heinrich Graun, Georg Philipp Telemann, Johann Christoph Altnickol, Johann Kuhnau, Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    1:24
  43. Bach, JS: Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 1, Chor. "Herr Jesu Christ, wah'r Mensch und Gott"Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    4:56
  44. Bach, JS: Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 2, Rezitativ. "Wenn alles sich zur letzten Zeit entsetzet"Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Markus Brutscher
    1:15
  45. Bach, JS: Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 3, Aria. "Die Seele ruht in Jesu Händen"Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Martina Lins
    5:43
  46. Bach, JS: Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 4, Rezitativ. "Wenn einstens die Posaunen schallen"Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Hans-Georg Wimmer
    3:35
  47. Bach, JS: Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: No. 5, Choral. "Ach Herr, vergieb all' unsre Schuld"Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei
    0:52
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Product specifications

Details

Album
Bach, Graun, Telemann & Altnikol: Passions-Pasticcio
Artist
Carl Heinrich Graun
Album release date
March 19, 2012
Label
EMI
Available
No

Product information

Mono or stereo
Stereo
Duration
2 uur, 3 min
Tracks
47 tracks

Other

Limited Edition
No
Genre
Choral
Box set
No
Remastered
No
Reissue
No

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About Carl Heinrich Graun

Carl Heinrich Graun, born in 1704 in Wahrenbrück, Germany, was a pivotal figure in the world of German opera during the 18th century. As a composer and tenor, Graun's contributions to the Baroque opera scene were immense, earning him a place alongside Johann Adolph Hasse as one of the most significant German composers of Italian opera of his time. His journey began as a chorister in Dresden, where he honed his skills under the tutelage of Antonio Lotti and Johann Christoph Schmidt. Graun's career flourished under the patronage of Frederick the Great, for whom he served as Kapellmeister, composing numerous operas, sacred works, and instrumental pieces that left an indelible mark on the development of German opera.

Graun's repertoire is diverse and captivating, encompassing operas, passions, cantatas, concertos, trio sonatas, and organ music. His most renowned work, the Passion oratorio "Der Tod Jesu," showcases his mastery of choral composition and his ability to evoke deep emotional resonance. Beyond his musical genius, Graun's life was marked by a deep familial connection to music; he was the youngest of three musical brothers, each contributing significantly to the musical landscape of their time. Graun's legacy endures, celebrated for his innovative contributions to the Baroque opera tradition and his enduring influence on the musical world.

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Carl Heinrich Graun

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