Immerse yourself in the rich tapestry of Renaissance music with Fretwork's "Armada - Music for viol consort from England and Spain." This captivating album, released in 2000 under Warner Classics, is a meticulously curated collection of 36 tracks that span a little over two hours. Fretwork, renowned for their exquisite interpretations of early music, brings to life the intricate and enchanting compositions of the 16th and 17th centuries.
The album is a harmonious blend of medieval and chamber music, showcasing the talents of Fretwork and featuring guest performances by Michael Chance. The tracks range from solemn and reflective pieces like "Come to me, grief, for ever" to lively and dance-like compositions such as "Captain Digorie Piper his Galiard." The diversity of the repertoire highlights the versatility and skill of the ensemble, as they navigate through complex polyphonic works and delicate, expressive melodies.
"Armada" is not just a collection of songs but a journey through the musical landscapes of England and Spain during the Renaissance. The album includes works by celebrated composers such as William Byrd, John Dowland, and Alonso Mudarra, offering a glimpse into the cultural and artistic exchanges of the time. The viol consort, a staple of Renaissance music, provides a rich and resonant backdrop for these compositions, with its warm and expressive timbres.
Fretwork's performance is marked by precision and passion, bringing out the nuances and subtleties of each piece. Whether it's the intricate counterpoint of "Byrd: Fantasia a 5 'Two Parts in One in the 4th Above'" or the delicate beauty of "In angel's weed," the ensemble's playing is both technically impressive and deeply moving. The album is a testament to the enduring appeal of Renaissance music and the timeless artistry of Fretwork.
Tracks
Rejoice unto the LordWilliam Byrd, Michael Chance, Fretwork
Diferencias sobre 'La Dama le demanda'Antonio de Cabezón, Christopher Wilson
Fantasia (Ramillete de Flores Nuevas 1593)Lopez, Christopher Wilson
Orphenica lyra: Morenica dame (Vásquez)Miguel de Fuenllana, Michael Chance/Christopher Wilson
Browning a 3Elway Bevin, Fretwork
The Carman's Whistle BK36William Byrd, Paul Nicholson
Come to me, grief, for everWilliam Byrd, Michael Chance, Fretwork
Recercada segunda 'sobre camto llano'Diego Ortiz, Richard Boothby/Fretwork
Susana un jur (Glossada de...)Hernando de Cabezón, Fretwork
Orphenica lyra: Fantasia de RedoblesMiguel de Fuenllana, Christopher Wilson/Fretwork
In angel's weedWilliam Byrd, Michael Chance, Fretwork
Dulce memoria (Glossada de...)Hernando de Cabezón, Paul Nicholson
Diferencias sobre la Gallarda MilanesaAntonio de Cabezón, Christopher Wilson
Recercada tercera sobre canto llanoDiego Ortiz, Richard Boothby
Pour down, you powr'rs divine (Pandolpho)Robert Parsons, Michael Chance, Fretwork
Fantasia a 4Robert White, Fretwork
Quiente hizoEsteban Daza, Michael Chance, Fretwork
In Nomine a 5William Byrd, Fretwork
Almain: The HoniesuckleAnthony Holborne, Fretwork
Pavan: ParadizoAnthony Holborne, Fretwork
Coranto: The Fairie-roundAnthony Holborne, Fretwork
Byrd: Fantasia a 5 "Two Parts in One in the 4th Above"William Byrd, Fretwork
M. Bucton his GaliardJohn Dowland, Fretwork
Captain Digorie Piper his GaliardJohn Dowland, Fretwork
Fantasy a 4John Bull, Fretwork
Pavan: "Lachrimae Antiquae"John Dowland, Fretwork
M.Nicholas Gryffith his GaliardJohn Dowland, Fretwork
In Nomine a 5William Byrd, Fretwork
In Nomine a 5 (VdGS No. 1)Orlando Gibbons, Fretwork
Fantasy a 4 for the 'Great Dooble Base' (VdGS No. 2)Orlando Gibbons, Fretwork
Aires for two division viols in C: Pavan of AlfonsoWilliam Lawes, Fretwork
Aires for two division viols in C: Almaine of AlfonsoWilliam Lawes, Fretwork
My Ladye Nevell's Booke - A Fancie in CWilliam Byrd, Fretwork
Consort Sett a 5 in C: FantazyWilliam Lawes, Fretwork
Consort Sett a 5 in C: PavenWilliam Lawes, Fretwork
Consort Sett a 5 in C: AlmaineWilliam Lawes, Fretwork
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