Immerse yourself in the rich tapestry of early 17th-century English consort music with "An Englishman Abroad: Consort Music by Thomas Simpson" by The Parley of Instruments. This captivating album, released in 1991 under the Hyperion label, showcases the intricate and vibrant compositions of Thomas Simpson, a notable figure in the world of Renaissance and early Baroque music.
The Parley of Instruments, led by the esteemed conductor and viol player Peter Holman, brings to life Simpson's works with a blend of historical authenticity and musical brilliance. The album features a diverse collection of pieces, including pavans, galliards, courantes, almandes, and ricercars, each meticulously performed to highlight the unique characteristics of Simpson's style.
With a duration of 59 minutes, the album offers a comprehensive exploration of Simpson's consort music, drawing from his publications such as "Hamburg, 1617" and "Taffel Consort, 1621." The tracks range from the stately and dignified "Paduana" to the lively and energetic "The Satyrs Dance," demonstrating Simpson's versatility and mastery of various dance forms and instrumental combinations.
The Parley of Instruments' performance is marked by its precision, expressiveness, and deep understanding of the historical context. Their interpretation of Simpson's music is both scholarly and engaging, making this album a valuable addition to any music lover's collection. Whether you are a fan of early music or simply appreciate the beauty of well-crafted compositions, "An Englishman Abroad" promises a rewarding listening experience.
Tracks
Paduana (Hamburg, 1617, No. 1)Thomas Simpson, Peter Holman, The Parley of Instruments
Intrada (Hamburg, 1617, No. 2)Thomas Simpson, Peter Holman, The Parley of Instruments
Ricercar (Hamburg, 1617, No. 3)Thomas Simpson, The Parley of Instruments, Peter Holman
Canzon (Hamburg, 1617, No. 4)Thomas Simpson, The Parley of Instruments, Peter Holman
Courantes 1 and 2 (Hamburg, 1617, Nos. 5 & 6)Thomas Simpson, The Parley of Instruments, Peter Holman
Almande (Hamburg, 1617, No. 9)Thomas Simpson, Peter Holman, The Parley of Instruments
PavanJohn Farmer, Peter Holman, The Parley of Instruments
Galliard (Frankfurt, 1610, No. 18)Thomas Simpson, The Parley of Instruments, Peter Holman
The Satyrs DanceRobert Johnson, The Parley of Instruments, Peter Holman
Lessons for 1, 2 & 3 Viols: Alman (lyra viol version)Alfonso Ferrabosco II, Peter Holman, The Parley of Instruments
Lessons for 1, 2 & 3 Viols: Alman "Aria" (consort version)Alfonso Ferrabosco II, The Parley of Instruments, Peter Holman
The Princes CourantJoseph Sherly, Peter Holman, The Parley of Instruments
Paduan (Hamburg, 1617, No. 9)Thomas Simpson, Peter Holman, The Parley of Instruments
Galliard (Hamburg, 1617, No. 10)Thomas Simpson, The Parley of Instruments, Peter Holman
Pasameza (Hamburg, 1617, No. 22)Thomas Simpson, The Parley of Instruments, Peter Holman
PaduanJohn Dowland, Peter Holman, The Parley of Instruments
Aria "Mrs Nichols Almand"John Dowland, The Parley of Instruments, Peter Holman
CanzonJohann Grabbe, Peter Holman, The Parley of Instruments
M John Langton PavanJohn Dowland, Peter Holman, The Parley of Instruments
Galliard (Hamburg, 1617, No. 22)Thomas Simpson, Peter Holman, The Parley of Instruments
Almande (Taffel Consort, 1621, No. 20)Thomas Simpson, The Parley of Instruments, Peter Holman
Canzon (Taffel Consort, 1621, No. 45)Thomas Simpson, Peter Holman, The Parley of Instruments
My Robin Is to the Greenwood GoneAnonymous, Peter Holman, The Parley of Instruments
Ricercar on Bonny Sweet Robin (Taffel Consort, 1621, No. 29)Thomas Simpson, The Parley of Instruments, Peter Holman
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