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  1. Albums
  2. albéniz, falla, poulenc, ravel, rodrigo & satie: paris barcelone - from gaudi to miro - accentus

Accentus - Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (LP)

AccentusAccentus
  • 2001
  • 19 tracks
  • 1 uur, 17 min
  • requiem
Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro - Accentus
Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro
Check availability on amazon.com/
Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro - Accentus
Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro - Accentus

Product description

Embark on a captivating journey through the vibrant musical landscapes of Paris and Barcelona with Accentus, Isabelle Moretti, and Edmon Colomer. This exquisite collection, released by naïve classique, brings together the works of Albéniz, Falla, Poulenc, Ravel, Rodrigo, and Satie, creating a rich tapestry of classical and choral masterpieces.

The album opens with Albéniz's "Atlántida," a scenic cantata that sets the stage for the Spanish influences that permeate the collection. The lively "Ibéria" and the evocative "España" showcase Albéniz's mastery of Spanish folk themes, while Falla's "Noches en los jardines de España" and "El Sombrero de tres picos" add depth and drama. Poulenc's "Concerto for Harpsichord" and Ravel's "Boléro" bring a French flair, while Rodrigo's "Concierto de Aranjuez" is a standout piece, highlighting the guitar's beauty and versatility.

Satie's "Parade" and "Relâche" offer a whimsical contrast, showcasing the composer's unique style. The album also features choral works by Poulenc and a hauntingly beautiful aria from Ravel's "Goyescas."

With a duration of 1 hour and 17 minutes, this album is a testament to the enduring appeal of these composers and their ability to bridge cultural divides. Accentus, under the direction of Isabelle Moretti and Edmon Colomer, delivers a performance that is both technically impressive and deeply expressive. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to delight and inspire.

Tracks

  1. Atlántida, scenic cantata (unfinished, completed by E. Halffter), G. 102, Act I: No. 5, Chorus "Hymn to Barcelona"Manuel de Falla, Coral Universitat de les Illes Balears, Coro Polifonico Universitario de la Laguna, Orfeon Navarro Reverter, Orfeon Universitario Simon Bolivar, Pequeños Cantores De Valencia, Joven Orquesta Nacional De España, Edmon Colomer
    1:38
  2. Ibéria, Book 1: No. 1, Evocación in A-Flat Minor/MajorIsaac Albéniz, Rafael Orozco
    6:16
  3. España, Rhapsody for OrchestraEmmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet
    6:41
  4. Estampes, L. 100: No. 2, Soirée dans Grenade (Mouvement de Habanera)Claude Debussy, Noël Lee
    5:42
  5. Noches en los jardines de España, for Piano and Orchestra, G. 49: II. Danza lejanaManuel de Falla, Rafael Orozco, Joven Orquesta Nacional De España, Edmon Colomer
    5:16
  6. Goyescas, H. 65, Tableau III, Scene 8: Aria "La maja y el ruisenor" (Rosario)Enrique Granados, Maria Bayo, Orquesta Sinfónica de Madrid, Antonio Ros Marbà
    6:08
  7. Rapsodie espagnole, M. 54: No. 1, Prélude à la nuit (Très modéré) - Malaguena [Assez vif]Maurice Ravel, Ernest Bour, Sinfonie Orchester Des Sudwestfunks Baden-Baden
    5:35
  8. Le Sacre du printemps, Pt. II: No. 6, Danse sacrale (Allegro moderato)Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Alain Lombard
    4:20
  9. El Sombrero de tres picos, Suite for Orchestra No. 2: Dance of the Miller's Wife "Fandango"Manuel de Falla, Joven Orquesta Nacional De España, Edmon Colomer
    2:34
  10. Pulcinella: Overture (Allegro moderato)Igor Stravinsky, Bournemouth Sinfonietta, Thomas Sanderling
    2:05
  11. Parade: Petite fille américaine - Rag-Time du paquebotErik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach
    3:47
  12. Relâche: No. 1, Ouverture (Mouvement de Marche) - No. 2, Projection [Un peu moins vite] - Rideau [Plus lent] - No. 3, Entrée de la Femme [Très lent]Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach
    3:28
  13. L'enfant et les sortilèges: No. 13, Scene "Deux robinets coulent dans un réservoir" (L'Arithmétique, Chorus)Maurice Ravel, Leonard Pezzino, Martine Mahé, Orchestre National Bordeaux Aquitaine, Alain Lombard
    1:49
  14. Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace flessibile - ScherzandoManuel de Falla, Tony Millian, Jaime Martin, Manuel Angulo, Joan Enric Lluna, Santiago Juan, Jorge Pozas, Edmon Colomer
    4:08
  15. 7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblanteFrancis Poulenc, Accentus, Laurence Equilbey
    2:20
  16. Cançó i Dansa No. 6 in E-Flat Minor for Piano (Cantabile espressivo - Ritmado)Federico Mompou, Rafael Orozco
    3:35
  17. Albada, Interludi i Dansa, for Orchestra: No. 2, Interludi (Interlude)Roberto Gerhard, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez
    2:44
  18. Albada, Interludi i Dansa, for Orchestra: No. 3, Dansa (Danse)Roberto Gerhard, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez
    3:52
  19. Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentileJoaquín Rodrigo, Isabelle Moretti, Real Orquesta Sinfonica De Sevilla, Edmon Colomer
    4:59
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Product specifications

Details

Album
Albéniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro
Artist
Accentus
Album release date
1 januari 2001
Label
naïve classique
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 17 min
Tracks
19 tracks

Other

Limited Edition
No
Genre
Requiem
Box set
No
Remastered
No
Reissue
No

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About Accentus

Accentus is a renowned French chamber choir, founded in 1991 by the esteemed conductor Laurence Equilbey. With a rich history and a commitment to excellence, Accentus has been in residence at the Opéra de Rouen since 1998, captivating audiences with their exquisite performances. The ensemble is celebrated for its unique style, known as Accentus Ecclesiasticus, which emphasizes the spoken word and brings a distinctive linguistic ambiguity caused by unusual stress. Their repertoire spans a wide range of genres, including requiem, choral, and classical music, featuring transcendent works by composers such as Barber, Mahler, Berg, Chopin, Ravel, Debussy, Wolf, and JS Bach. With over 120,000 monthly listeners on Spotify, Accentus continues to enchant music enthusiasts worldwide, offering a profound and unforgettable musical experience.

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Accentus

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